The research is devoted to the study of the phenomenon of spiritual culture of Modern times - creationism. Authors analyze the causes of creationist teachings, as well as develop a classification of forms of creationism. As such, the following are distinguished and analyzed: biblical creationism, scientific creationism, theological evolutionism, teleological creationism, alterism, missionary creationism. Biblical creationism is a literal understanding of the texts of the Bible relating to the creation of the Earth and man. Scientific creationism is an attempt by (...) individual scientists to combine scientific knowledge with religious beliefs. It gathers scientific evidence in favor of the biblical narrative, and, at the same time, rational arguments against the scientific theory of evolution. On the contrary, theological evolutionism, especially in the form of concordism, tries to reconcile the scientific and religious view of evolution. This is achieved through the interpretation of Biblical symbols through modern scientific concepts, or by the creation of a new pseudo-religion (for example, Teilhardism). Teleological creationism, in the modern form of Intelligent Design theory, popular in Western Protestantism, using the data of natural sciences, criticizes the foundations of the theory of biological evolution, thus demonstrating the gap of natural causality in order to justify the supernatural purposefulness of the Universe. Alterism asserts that the very nature of the world before original sin was different, therefore, the current knowledge of nature cannot correspond to the original plan of God reflected in the Bible. For the first time, highlighted and explored in this work, missionary creationism seeks to interpret the Bible from the point of view of concepts of modern science in order to bring a person with an already formed scientific picture of the world to faith. It is shown that most of the above forms demonstrate a pseudoscientific or pseudo-religious essence. The authors make an assumption about the origins of creationist teachings rooted in the introduction of elements of Neoplatonic philosophy into Christian teaching. The seeming contradiction between science and religion in understanding the evolution of nature finds its explanation through the disclosure of creationism's claim to understand the world as a "thing in itself". (shrink)

This article demonstrates the possibilities and problems of the formation of a new type of human‐technique‐nature relationship ‐ the organic technique ‐ in modern civilization. It is a relationship in which neither human nor nature must adapt to the needs of technology; rather, the technique is embedded in nature and becomes 'human-sized'. We can find a model for building this new type of relationship in the construction of buildings from bamboo. The uniqueness of bamboo as a building material manifests in (...) two ways. The first relates to resources: bamboo is a very fast-growing plant, so cutting it's stem does not destroy the plant itself and in three to four years there is a new 'harvest'. This means bamboo has an extremely low cost, which is critical for developing countries with rapidly growing populations. Second, bamboo has a number of architectural advantages. Due to the flexibility and elasticity of this product, bamboo buildings are earthquake resistant. Such structures do not violate the natural landscape, but instead work with it; they are characterized by low cost and ease of construction, in a variety of forms. This has led to the widespread use of bamboo by leading architects and innovators from different countries. This article shows that the application of bamboo in architecture ‐ as opposed to artificial materials such as concrete, which exploit and destroy nature and impose their forms on cultures ‐ helps this building technique to integrate into the life of ecosystems and society, and thus to become a model of harmonizing human‐technique‐nature relations. (shrink)

This article deals with the analysis of neo-mythological and pantheistic subjects in the works of Friedrich Nietzsche and Knut Hamsun. The analytical comparison of Nietzsche’s philosophical concepts and Hamsun’s literary psychologism is poised to find an underlying understanding of human nature at the confluence of ethics and aesthetics - of goods and beauty, of evil and ugly. A precise definition of the aesthetic categories “Apollonian” and “Dionysian” is carried out based on Nietzsche’s work “The Birth of Tragedy from the Spirit (...) of Music”. The relevance of the Dionysian culture’s phenomena is based on the Nietzschean belief in an Übermensch within the modern mindset. The concept of “Dionysus” finds its continuation in the postmodern philosophy of Georges Bataille and Maurice Blanchot, in such archaic emotional and aesthetic aspects of human essence as violence and sacrifice understood in an extremely abstract sense. The authors stress that modern culture’s interest in violence and sacrifice is rooted in Nietzsche’s idea of Dionysius in the meaning of one of the beginnings of any segment of European culture. The foundations for overcoming postmodernism in the 21st century and the subsequent development of aesthetic views can be found in an attempt to revise the foundation of European culture through rethinking the concept of Übermensch-Zarathustra-Dionysus. (shrink)

ch. 1. Vnitri cheloveka -- ch. 2. Vne cheloveka.

Throughout the 20th century, the theory and history of performing arts repeatedly attempted to systematize various phenomena in the field of interpretation of works of academic music. The number of performing styles and types in various researches has risen dramatically, until the beginning of this century when it was reduced to a single concept - to the category of an individual style. This topic was discussed mainly in research papers devoted to the theory of pianism. The results of their observations (...) and conclusions can be applied to the performing arts in general. The article mentions the works of K.A. Martinsen, D.A. Rabinovich, V.P. Chinaeva, A.V. Malinkovskaya and others. The topic of musical perception is addressed both in musicology and in musical psychology. This research offers a new vector for studying of musical perception, linking the features of musical imagery created by the performer and the nature of perception. The following aspects are revelated: patterns that allow us to talk about the types of musical image, the principles of its construction and the types of perception. This is an affective image created on the principle of contrast. It corresponds to the psychophysical type of perception. The contextual image is guided by the principle of connections. It corresponds to the aesthetic type of perception. The integrative image is formed, focusing on the principle of the whole. It corresponds to the symbolic type of perception. A hermetic system of typology is considered to be impossible; artistic practice will largely oppose it. However, these tendencies are able to shed light on the nature of musical perception and allow to continue the scientific discussion of the current topic of musical performance. (shrink)

In recent decades, memory has become one of the major concepts and a dominant topic in philosophy, sociology, politics, history, science, cultural studies, literary theory, and the discussions of trauma and the Holocaust. In contemporary debates, the concept of memory is often used rather broadly and thus not always unambiguously. For this reason, the clarification of the range of the historical meaning of the concept of memory is a very important and urgent task. This volume shows how the concept of (...) memory has been used and appropriated in different historical circumstances and how it has changed throughout the history of philosophy. In ancient philosophy, memory was considered a repository of sensible and mental impressions and was complemented by recollection-the process of recovering the content of past thoughts and perceptions. Such an understanding of memory led to the development both of mnemotechnics and the attempts to locate memory within the structure of cognitive faculties. In contemporary philosophical and historical debates, memory frequently substitutes for reason by becoming a predominant capacity to which one refers when one wants to explain not only the personal identity but also a historical, political, or social phenomenon. In contemporary interpretation, it is memory, and not reason, that acts in and through human actions and history, which is a critical reaction to the overly rationalized and simplified concept of reason in the Enlightenment. Moreover, in modernity memory has taken on one of the most distinctive features of reason: it is thought of as capable not only of recollecting past events and meanings, but also itself. In this respect, the volume can be also taken as a reflective philosophical attempt by memory to recall itself, its functioning and transformations throughout its own history. (shrink)

Zipf's law states that if words of language are ranked in the order of decreasing frequency in texts, the frequency of a word is inversely proportional to its rank. It is very reliably observed in the data, but to date it escaped satisfactory theoretical explanation. This article suggests that Zipf's law may result from a hierarchical organization of word meanings over the semantic space, which in turn is generated by the evolution of word semantics dominated by expansion of meanings and (...) competition of synonyms. A study of the frequency of partial synonyms in Russian provides experimental evidence for the hypothesis that word frequency is determined by semantics. (shrink)

Zipf's law states that if words of language are ranked in the order of decreasing frequency in texts, the frequency of a word is inversely proportional to its rank. It is very reliably observed in the data, but to date it escaped satisfactory theoretical explanation. This article suggests that Zipf's law may result from a hierarchical organization of word meanings over the semantic space, which in turn is generated by the evolution of word semantics dominated by expansion of meanings and (...) competition of synonyms. A study of the frequency of partial synonyms in Russian provides experimental evidence for the hypothesis that word frequency is determined by semantics. (shrink)

The purpose of this article is to consider critically the humanistic potential of Olympism. We consider the concepts ‘human’ and ‘humanism’ from an existential perspective. Existentialism argues that human beings exist in a state of freedom. Freedom, as the basis of being human, holds a human fully responsible for his or her own existence. This responsibility assumes an active mode of behaviour, predicated on human effort. It can also include the making of specific artifacts such as creating creations. According to (...) Mamardashvili, creating creations are unique cultural mechanisms that remain in the boundaries of morality, beauty, thought and so on, adding quality to human existence. The article argues that the desire to be fulfilled as a human being is the moral basis to which Olympism directs Olympic athletes. Moreover, Olympism expresses the human’s need of self-overcoming, constant self-perfection which is necessary aspect of the humanity. Thus, the humanistic potential of Olympism lies in the fact that it allows for the creative space in sport which is itself a place for human realization. Therefore, Olympism can be characterized as opera operans, creating creation. (shrink)

Drawing from the works of Plato and more contemporary philosophers such as Bakhtin, Buber, Taylor, and Gadamer, On Dialogue explores the necessity of dialogue to being. Author Dmitri Nikulin argues that dialogue is not just a form of communication, but it is the very conditio humana. Nikulin provides a systematic account of dialogue and its role in philosophy, literature, and oral discourse.

'This book is a masterpiece of theoretical thought. It anticipates the actual achievements of much of what we now call sociolinguistics.

Things and Their Place in Theories Our talk of external things, our very notion of things, is just a conceptual apparatus that helps us to foresee and ...

The transition to the market economy, which began in Russia more than 30 years ago, has dramatically affected the performance of the Russian academic sphere. The market transformation in the country coincided with significant changes in the global academia. Bureaucratization and obsession with performance indicators have been very welcomed by the Russian system and have been incorporated in various academic excellence programs adopted in the country. A closer look at these programs reveals that the real driving force behind the initiatives (...) is not public spiritedness of the country’s policymakers but wishes of various groups to be engaged in the rent-seeking activities of contemporary Russia. The present paper focuses on the interplay between the predatory publishing industry and the apparent encouragement of fraudulent practices by some universities in Russia. It highlights the problem of “predatory universities” and explains the evolution of such strategies in the academic sphere of the country. The Russian case allows to look at the problems of the global academia from a new angle. It should be acknowledged that the predatory publishing industry is much greater than it seems within the initial “open access” model. It is clear that the authors are very often not less predators than the publishers, and this predatory ecosystem has been significantly expanded beyond the merely publisher-author interactions. Moreover, the noticeable players in these predatory markets are universities and governments that play with the systems designed by the leading citation databases and global ranking organisations, which apparently also benefit from these arrangements. (shrink)

From the editors of Voprosy filosofii:From August 17 to 22, the Eighth International Congress on the Logic. Methodology, and Philosophy of Science will convene in Moscow. The theme of this congress is "Man, Science, Humanism."The work of the congress will be organized in the following sections: 1. Foundations of mathematical reasoning. 2. The theory of models. 3. Foundations of calculability and recursion theory. 4. The theory of sets. 5. General logic. 6. The general methodology of science. 7. Foundations of probability (...) and statistical inference. 8. Foundations of the physical sciences. 9. Foundations of the biological sciences. 10. Foundations of psychology and the cognitive sciences. 11. Foundations of the social sciences. 12. Foundations and philosophy of linguistics. 13. The history of logic, methodology, and the philosophy of science.Two symposia are planned for the congress: "Science and Ethics" and "The New Style of Scientific Thinking in Natural Science." In addition to the main sections, several round tables will be organized at the congress on the following topics: J. The methodology of solving global problems of the modern epoch: a systems approach. 2. Methodological and social problems of computerization. 3. Factors in the development of modern scientific knowledge. 4. Methodological problems in the all-around development of man.The journal Voprosy filosofii has published a number of articles related to these problems over the past year . Soviet scholars are taking an active part in the preparation and organization of this congress. The journal plans in subsequent issues to publish materials for the congress under the most varied rubrics. In this issue, with D. P. Gorskii's article "The Concept of Real and Ideal Types," we are opening a special section in which we shall publish basic materials devoted to the Eighth International Congress on the Logic, Methodology, and Philosophy of Science. (shrink)